Should I Take Vocal Lessons?

Often singers both good and bad come to a point where they wonder what if?  What if I take singing lessons would this help my voice?  Historically, classically trained singers in the Opera would not think anything of taking lessons to become a singer.  I believe in the the American culture and song book we have a culture of many singers whom have learned from doing.  That does not make it wrong or bad, but different.   In fact some singers from both the jazz, rock and gospel genres, became very popular and not to mention great singers.

However, many singers whom have become famous doing the American song book did have some professional training at some point in their career.  The voice is a complex instrument, unlike the piano , guitar or saxophone for example how do you play an “A” note?  On the piano, guitar or sax, there are specific fingerings you would use to play the different.  When we sing, we think the pitch, or match it with a piano for example.  We move the muscles in our body which causes our vocal chords to sound the correct pitch.  When you consider this it actually is very complex.

So perhaps even though most of us can hum a tune without any help, to really do it well becomes a different story.  Perhaps, the “gifted singers” whom seem to intuitively know how to make their body sing is one thing, but for most that is not the case.   My opinion and answer to the the question in title is then, yes you should take vocal lessons if you want to be a better singer.   Learning how you body functions as an instrument can only make the task much easier and enjoyable.  Not to mention, learning how to use the muscles in your diaphragm and face, while relaxing your body will open up an whole new pallet of colors in your voice.

In addition vocal effects processors by TC Helicon can help you with pitch, harmony and other vocal skills.   Vocals, perhaps more than any instrument, seem to connect with audiences so why not be the best you can be with your voice!

Christie Moore

Vocal Instructor Boston, MA

goodbye Whitney

What piano is good for me?

Choosing a piano for your needs really depends on your requirements. The Following list may be helpful in making your decision.

  1. Cosmetic Appearance
  2. General state or repair
  3. Budget
  4. Size
  5. Maintenance required
  6. Tone
  7. Level of playability

Cosmetic Appearance
Appearance can be an important or less critical issue. If you quickly think about your home and where the piano will go, then you will easily know what you will find as suitable to match your environment. Be careful when selecting a piano if appearance is big on your list, not to be completely swayed without considering the other factors. I’ve meet and serviced several customers over the years that could not resist the “look” of a square grand, only to find that even with large amounts of effort and money, these pianos just aren’t very good.

General state or repair
It is safe to assume, at least in general, that if the piano in question looks good, plays good and sounds good -It is good. Although, if you are not a player, have no “ear” for music or any real sense for a piano the general state of repair may be difficult to ascertain. In this case you may be better to rely on the opinion of others or hire a professional to look at it for you.

Also, keep in mind that some very bad looking pianos play and sound great, and some great looking pianos play and sound terrible. So, you really need to look at the entire picture and decide what short comings, if any, can be lived with or fixed within your budget.

Budget
Piano’s have a very wide range in price. You can get one often for the price of having it moved up to hundreds of thousands of dollars. So the simple matter is decide where you are and stay with it.

Size
I’ve had customers that enjoy their Steinway Concert grand in a dining room which has no room in it except for the piano and others that practice daily on spinets and have enough room for a grand piano. The larger the piano, typically the louder it is and the tone is more “open and clear” However, again you need to decide what is important. A large great sounding piano may not be practical for your space and or budget, or a small piano regardless of the convenience may not be what you need to play on regardless of how much room it saves.

Maintenance required
All pianos require maintenance, tuning, regulation and sometimes larger issues with the sound board, strings etc, etc…. Generally speaking older pianos will have more issues due to age and wear. New poorly made pianos will also require more fooling with to keep them playable. For beginners, some issues in tuning and playability can be overlooked, however, as students progress a piano that constantly goes out of tune or cannot be regulated properly once so that the action responds as required can become a nuisance and even a good reason to stop playing. So be realistic as to what you are willing to spend yearly to keep a piano playing. This will help considerably in choosing one. I would say that realistically, you should expect to pay a minimum of 200.00 yearly for service on a piano…even a real good one. An if you are a high level player, then I would expect you should triple this figure if you want to keep your piano at it’s best.

Tone
What sounds good to one person may not sound good to another. In addition what tone you may like at the moment may not be what you want to hear 3 years from now. In choosing a piano, perhaps it is best to find one that you like the tone and in addition, has a rather even sound up and down the register.

Level of playability 
Any piano purchased should at the minimum have all the keys working in the middle registers of the piano. if you intend to play it as is. After that, obviously the better the action and other moving parts such as the damper pedals work, the more likely you are to enjoy it as you progress on your musical journey. If you are using the piano at a professional level, then of course it is just a matter of what you can tolerate on a regular basis from your instrument.

Bill Trotman
Associate Member PTG

Digital Drums VS Acoustic Drums, Which is better?

Regardless of what you want to call them, digital drums, electronic drums and the counterpart acoustic drum set, drum kit, or trap drums, – the job is the same. This percussive instrument is used in contemporary music in the rhythm section to keep the beat, groove and set the tone of the song.  Without drums, I think it is safe to say that much music as we know it would not exist.

For an experienced player it is typically and easier decision to make. Neither kit is really better, however electronic drums and traditional drums have certain qualities which are better.  Any pro drummer whom has sat at both even the at the best kits available from both worlds will tell you that there is nothing like the real thing.  The process of hitting a real drum head which is under tension and creates sound waves cannot completely be reproduced by triggers and pads. Very close and every year the feel and experience is  better.  The second issue with digital drums in live performance is that unless you have the right amp or monitor system, the sound can get away from you and even the band.  Unlike the simplicity of a real kit, you beat on it and the sound comes from it.  Hit it harder and it is louder.  Hit is softer and it is less loud. No knobs, monitors wires equalizers, just drums.

Of course there is no argument for the digital drums in your house when you want to practice and not bother your family or neighbors, or want to play along with a song and be in your own world with the headphones. A tradition drum set can’t even do this. Also, for some music many enjoy the sound or digital drums for recording over traditional kits as they are easier to control and allow for all kinds of modern plugins.

Bands that also use other percussive sounds found in electronic drums like them because the drummer can get the sounds easily on the kit he is playing.  Then again, other drummers chose to play a traditional kit and bring a small digital drum pad for all the “extra sounds”.  I would say that many drummers today want both in their bag of tricks so they can have the best of both worlds.

In some ways the digital drum kit has become an instrument of its own.  I do not really see it as a replacement but an extension of the traditional acoustic kit.  It certainly has opened new doors for grooves and sound never possible with an acoustic drum kit. This does not mean it is meant to replace it.

Think about what you need to do and enjoy doing with your drumming experience then I believe the decision will be easy. You may find that you need both or only one style kit.

J Kelly

Drum Instructor, Albany NY

 

The Muppet Show – Sax and Violence